Tuesday, 16 June 2015

Feature: Close Talker (16/06/15)


Close Talker are a young four-piece band, having formed in Saskatoon early 2012, they've gone on to pave their own path from North America to the UK and Europe. Will Quiring (vocals, guitar), Matthew Kopperud (guitar, vocals), Jeremy Olson (vocals, bass) and Chris Morien (vocals, drums) have established their moody rock sound and have recently finished their first UK tour ending with sets at The Great Escape and Liverpool Sound City Festival. Now they've just released the latest single 'Burnstick' from their debut LP 'Flux', so I caught up with Will to talk (nearly) all things music. 

General Questions:

1. How old were you when you started getting involved in music and how?
I grew up in a very musical family. My Mom used to sing in the choir at church and taught me piano at a young age. My Dad played drums and once I started playing guitar, him and I would jam in our basement to old classic rock songs (mostly B.T.O.) So since I can remember, I've always been involved in music in some way and even with the guys in the band, we've been playing music together, in some form, since the day we met. Chris and I would jam during lunch hour in high school and later on, started a band. Our highlight was definitely playing the school talent show haha. Matt and I originally became friends because we both played the guitar and have busked together when we were younger. So ya, music has always been a big part of my life whether that was with family or my friends. 

2. What is the most inspiring gig/concert/festival you've been to?
That is a great question. I don't know if I can narrow it down to one, single most inspiring concert ever, but I will say that one that would be up there would be when I first saw Royal Canoe live in Edmonton, Canada. We opened up the show and though I had heard some of their music before, I didn't really know much about the band. The show was absolutely amazing. The sounds they were creating were sounds I had never heard live before. And they were so tight and had such good stage presence - it made me want to be a better musician. We recently had the privilege of touring across Western Canada with them this past fall, and even after watching them play over 10 times, they still blow me away every time. 

3. Who have you been listening to lately?
Multi Love, the new Unknown Mortal Orchestra album, is really really cool. Definitely given that a few spins. It seems like Tame Impala is releasing a new song like every day. So that as well. I also like the new Braids album which I've been listening to a bunch. Some friends from Calgary, Canada called 36? just put out a new EP and it's awesome too. Motorbike James is another Canadian artist I recently got introduced to who I really like. Always good music to be found. 

3 Questions for Close Talker:

1. If you had the opportunity to write a song for a soundtrack, what would be your dream TV show/film to create it for and why?
My favourite shows of all time are Breaking Bad and The Mentalist, but I'm not sure if our music would totally translate to those shows haha. Our band is really into watching movies together when we have nights off and lately we've been into older comedies like the Big Lebowski and Best In Show. So, if they ever did a remake of one of those movies and wanted one of our songs, we would definitely be on board. Over the last few tours, we've slowly been watching all of the Harry Potter movies in order (I think we are on number five). So if they ever decide to bring Harry back from the dead and make another movie, that could be another option. 

2. Having toured recently, where would you most like to go back to and why?
I would love to go back to Brussels, Belgium. We were there on our most recent European tour and although we only played a house show, it was one of the most enjoyable shows of the tour. The crowd was so engaged and welcoming and really seemed to enjoy our music. We received great hospitality as well and the food in Brussels is insane. I would love to go back there a play a few shows there, and re-unite with some friends we made on our last visit. 

3. What process did you go through writing 'Burnstick' and did it differ from other tracks on your LP 'Flux'?
'Burnstick' is probably one of the most meaningful songs for us as a band because it's about a night that we all had together on one of our very first tours across Western Canada. The night consisted of us walking together across Burnstick Lake, which was frozen due to the extremely cold Canadian winters. We wrote the song as a group, the four of us, which is pretty similar to the entire writing process for the songs on Flux. With our first album 'Timbers', there was a lot less of that 'communal' writing stance and we found that when the four of us got in the space together to write, the songs that would come from that would be our favourite and most meaningful songs. We decided to do this when writing the last record and I think this style of writing is something we will continue to do as long as we can. 

Random Q:

Favourite place to go out for a beer and why?
During the summer, the Yard and Flagon in Saskatoon has a deadly patio which is great when the weather is nice. But I would have to say that The Capitol is probably my favourite place. On Wednesdays, they have a burger and beer deal and whenever I go, I always see some familiar faces and good friends. 

'Burnstick' Single Review:
Bombay Bicycle Club meets Death Cab For Cutie, a generally brilliant track. A great rhythm and guitar riff underlined with a solid bass line and stellar vocals. The middle section of the song allows the listener to focus on the instrumental but layers back up into the catchy chorus; which I'm sure would be a fantastic live. It's a well crafted song, both lyrically and musically, and I feel the music video also accompanies that well. 'Burnstick' summarises Close Talker's sound perfectly and if you like this, you'll love the album - if you don't like this track, the album still offers 10 tracks with unique aspects to them, I really do urge you to give this one a listen, it's a favourite of mine at the minute and it's been going round in my head for weeks.



Close Talker's Links:
'Burnstick' (single on iTunes): https://itunes.apple.com/gb/album/burnstick-single/id917329388

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Monday, 15 June 2015

Feature: Blackmill (15/06/15)


Blackmill has sold nearly half a million singles, nearly 100 thousand albums, over 61 million streams and counting and over 70 million YouTube views. His remix of 'Your Song' by Ellie Goulding reached #1 on Hype Machine, his music has also featured on BBC's 'Hustle' and he's also collaborated with Mt. Eden. Over the past four years, a desire for perfection led to hundreds of tracks gathering dust on hard drives. However, Blackmill's Robert Card has collaborated with his friend Graham Brown, after a trip to America, which left them feeling inspired and once again in love with their music, they created his forthcoming single - perfect for summer - 'Feel That Love Again', set for release on 29th June (2015). 

General Questions:

1. How old were you when you started getting involved in music and how?
Well I guess it all started on my seventh birthday when I received my first guitar. I'd always loved music beforehand but this opened up the ability to actually make my own. Although I properly got into music when I downloaded FL Studio for the first time at the age of 14. I got hooked instantly and have never really stopped since :) 

2. What is the most inspiring gig/concert/festival you've been to?
Well since I've only been to about three concerts in my life time I'd have to say Sigur Ros. 

3. Who have you been listening to lately?
Oliver Cheatham - Get Down Saturday Night. Fabulous tune. 

3 Questions for Blackmill:

1. Who influences you musically and what inspires you lyrically?
Hard to say really... I don't listen to any music really in the genre I produce. So there isn't many influences apart from the sounds I hear through my speakers. 

2. Name one thing you love about the music industry and one thing you hate about it...
Well first and foremost the industry in music is what ruined it in the first place. Music should be made as if no one will ever hear it. It's a very personal thing. It just so happens that others may like what you do so that is always motive to make more. Although the good things about the music industry is that it does spread music to others... that's about it. 

3. What process did you go through creating 'Feel That Love Again' and did it differ to your previous releases because it was a collaboration with Graham Brown as well as a different sound to your usual?
Process? I just made some music for the sheer hell of it to be honest lol. It did differ in a sense that I've never worked with a singer that's been available to me in first person, always over the interwebs. So it was great to be able to bounce back and forth ideas about the track. Overall, it was great fun making this collaboration with Graham :)

4. What did you learn about/from Graham whilst working on the single together?
That Graham is very understanding and is always willing to work around the producer which leads to getting the best from one another. It's great to have a second mind as well when producing as Graham always thinks of things I may not have thought of otherwise, which led to how the song sounds now on your speakers!

Random Q:

Who is your role model in the world of music?
Ermm... I don't really have one to be honest. I like a lot of different music but I wouldn't say I have a role model.

'Feel That Love Again' Single Review:
This is the perfect summer track for parties, sunsets, road trips and just chilling. Brilliant melodic produced music like this is hard to find and when it comes along you have to hold on to it and enjoy it whilst it lasts. Even though it is a little further away from the sound Blackmill has become well known, but this I'm sure will still be enjoyed by those followers too. This track offers four minutes of incredibly well produced music with a vibrant but chilled feel to it and wonderful vocals from Graham Brown showcasing the 'simple' but crafted lyrics that resonate with the listener with a honest and deeper meaning to them open to interpretation. I will be pre-ordering this single, and I honestly think you should too, hopefully it'll get the support it deserves to become a summer chart hit!



Blackmill's Links:

Graham Brown's Links:

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Friday, 12 June 2015

Feature: Yukon Blonde (12/06/15)


Having recently revealed the first taste of their forthcoming LP with new track 'Saturday Night', Graham Jones, Jeffrey Innes, Brandon Scott and James Younger also recently went on tour with Lieutenant (Nate Mendel, bassist for Foo Fighters and Sunny Day Real Estate). They worked with engineer and co-producer Colin Stewart at The Hive throughout 2014 and mixer Tony Hoffman (M83, Foster The People, Depeche Mode) to expand their reputation for seamlessly crafted pop songs. Their album will be released on 15th June (2015) and they have a summer full of live dates, so if you get a chance, try catch them at a venue near - or not so near - to you! (live dates can be found at their website, link down in the links section!) 

General Questions:

1. How old were you when you started getting involved in music and how?
Brandon played 'Come As You Are' on guitar for his first piano recital, he was meant to play hot cross buns, never happened.

2. What is the most inspiring gig/concert/festival you've been to?
Jeff went to Coachella in 2005 and called Graham from Southern California, and in a moment of divine inspiration he flew down burnt some Palo Santo and decided to start this band on their return to Canada. Meanwhile, James saw The Strokes 2000 back in Manchester at The Hop and Grape and his life has been fucked ever since.

3. Who have you been listening to lately?
David Bowie, the entire discog all over again, from Glam to Smack. Pink Flloyd 'Wish You Were Here', Bryan Ferry 'Boys and Girls' and Lindsey Buckingham 'Go Insane'.

3 Questions for Yukon Blonde:

1. You've recently had a chain of live shows at SXSW and touring with Lieutenant, but do you prefer playing smaller or larger venues and why?

Larger venues honestly, the electricity and energy is never taken for granted by us, it is a reminder of the power of the human collective, and implicitly reinforces the decision to play music in the first place, to connect with others. Big venue shows can get really tribal, which is a timeless activity. The occasional barn burner always feels good too. I guess it's a question of perspective.

2. Who are your role models in the world of music and why?
Rick Rubin, because we just listened to a monster podcast with him talking holistically about creativity, mental and physical health, radical self care, and all importantly with massive anti business vibes. It reinforced how we feel about the world of music.

3. What process did you go through creating 'Saturday Night' and does it differ from other tracks on your forthcoming LP?
'Saturday Night' started with a drum sample and a bass line that Jeff wrote. The rest of us kind of bullied him into accepting how incredible it was. From there Jeff wrote the rest of the song, in the studio it was collaborative as ever. It is in keeping with the rest of our LP, but I guess you'll have to wait and see.

Random Q:

1. If you could go to the moon, what song would you play first in space and why?

Jeff: 'Nothing Compares To You' by Sinead O'Connor, because if you are going to the moon, you would really want to bask in the loneliness you would inevitably experience. On a slightly different vibe, have you ever considered with that famous photo of the earth from the moon, that the astronaut who took the photo, is the only person in the universe not in the photo??? How does that grab you?!


You can listen to the album 'On Blonde' here: https://soundcloud.com/yukonblonde/sets/yukon-blonde-on-blonde-out 


Yukon Blonde's Links:

Check It Out!

Chart: Shut Up and Dance - Walk The Moon
Recorded by American alternative rock band Walk The Moon, 'Shut Up and Dance' is the band's biggest single so far and comes from their second studio album 'Talking Is Hard'. Even though it was released back in September last year (2014), it's only recently hit the top of the alternative songs list on the UK iTunes. However, it's done great worldwide, peaking within the top five in the US, Australia and Canada and within the Top 20 in Sweden, New Zealand and the Netherlands.


Live Performance: 2Shy - Shura
British singer/songwriter and producer, Shura, performs her brilliant 'indietronica' track '2Shy'. Her previous work with Hiatus and solo tracks, 'Just Once' and 'Indecision' led to a growing following and support for her music. At the start of this year, Shura was longlisted on the BBC Sound of 2015 poll, and her debut album is due to be released later this year. Shura has an exciting year and future ahead and I'm sure that will include many more brilliant tracks being released. 


Cover: Talking Body - PVRIS
Meet American rock band PVRIS from Massachusetts, made up of Lynn Gunn, Alex Babinski and Brian Macdonald; here they cover electropop track 'Talking Body' by Swedish recording artist Tove Lo. 'Talking Body' serves as the latest and second single from Tove Lo's debut studio album, 'Queen of the Clouds'. The song peaked within the Top 20 in the UK Singles Chart and US Billboard Hot 100. (I also massively suggest having a listen to PVRIS' debut album 'White Noise' - it's brilliant!)


Soundcloud: Sore Feet and Heartbeats - The Magnettes
Swedish duo Rebecka Digervall and Sanna Kalla, are The Magnettes and here is their debut single 'Sore Feet and Hearbeats'. They've recently finished a successful run of showcases at SXSW in Austin, Texas and have played at many events including New Music Seminar, Nordic Days, Qstock and The Great Escape. The Magnettes will begin writing and recording their debut album later this year in Sweden and the UK, so keep your eyes peeled and your ears tuned! 



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Monday, 8 June 2015

Feature: Germein Sisters (08/06/15)


Germein Sisters are a young, indie-pop band from Australia and comprising of sibling Georgia (lead vocals, guitar, piano), Ella (electric cello, bass, backing vocals) and Clara Germein (drums, guitar, backing vocals). They formed in 2012 after spending their childhood jamming and have gained nominations and awards ever since. They've also opened for Sting and Paul Simon in Adelaide and are headed to Isle of Wight Festival and Women of the World Festival in Germany this year, they've toured all over the world, the future looks bright for the Germein Sisters and with their forthcoming release 'Because You Breathe EP' on 15th June (2015), the rest of this year will be big and busy for them! 

General Questions:

1. How old were you when you started getting involved in music and how?
We grew up in a very musical household, our Dad played the trumpet and our Mum the piano and guitar, so we were always encouraged to play and be creative with music. From as early as we can remember, we would put on concerts for our grandparents and friends at nearly every family gathering! 

2. What is the most inspiring gig/concert/festival you've been to?
Our first big concert we went to was when U2 played in Adelaide on their Vertigo tour. The concert was amazing and we were lucky enough to get to meet Bono briefly before he went on stage! It was so exciting! We love U2 and their values! The stage show was awesome too! It definitely made us dream of playing a big show like that. 

3. Who have you been listening to lately?
We all listen to such a variety of music and our favourites change everyday!! Lately, we have been listening to Coldplay, James Bay, John Mayer, Lana Del Rey and HAIM!

3 Questions for Germein Sisters:

1. Who would be your dream artist/band to tour with and why?
Probably Coldplay! We all love their music and stage production! It'd be so awesome to tour with them!! 

2. Where in the world do you think 'Because You Breathe' will be more popular, America, Asia or Europe and why do you think that is?
Wherever!! We hope that our music would be appreciated all over the world! We try to write songs that appeal to everyone in their own way! 

3. What is your favourite song on your forthcoming EP 'Because You Breathe' and what process did you go through creating it?
Of course we love all our songs, but a favourite would have to be our song 'Golden'. It's about doing your best and standing up for what you believe in. We recorded our EP in Ireland with the producer of the Corrs, which was super exciting and an awesome process to experience! We wanted this song to be inspiring with a slight rock element... Playing it live is so much fun, we really get to let loose on it! 

Random Q:

If you were stranded on a desert island, which three items would you keep with you?
Matches, towels and a guitar.

'Because You Breathe' EP Review:
This EP could easily become the soundtrack to my summer. It's brilliant; upbeat and catchy, with stunning harmonies and lyrics with a strong message. Layered piano, guitar, drums, bass and vocals all work together to make a unique sound for the Germein Sisters that allows them to stand away from groups like HAIM, First Aid Kit or the Corrs, but you can still little elements that could remind you of them. Positive messages bleed through the first two songs 'Golden' and 'Da Da Doo' - which reminds me slightly of Nina Nesbitt. There are rockier elements within the songs too, but indie pop would define their sound well, great pop songs that get stuck in your head and would fit summer road trips or BBQs with that indie rock twist.



Germein Sisters' Links:
'Because You Breathe': (link when released)

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Friday, 5 June 2015

Feature: Slow Down Molasses (05/06/15)


Tyson McShane, Jeanette Stewart, Chris Morin, Levi Soulodre and Aaron Scholz make Slow Down Molasses, a Canadian indie rock band. After drawing inspiration from a series of photos taken by Tyson's father during the Parisian anti-capitalist protest of May 1968, their latest album 'Burnt Black Cars' was created. Following their previously unveiled single 'Summer Sun', Slow Down Molasses continued their previews of their album with 'Home' and released the LP 'Burnt Black Cars' on 21st April (2015). 

General Questions:

1. How old were you when you started getting involved in music and how?
I got involved in music fairly late. I think I was 17 when I first started playing guitar. I grew up in a small city in northern Saskatchewan and there wasn't a music scene. Occasionally, there'd be a local band or two around, and at most once a year someone would throw a hall show with some punk bands from Saskatoon, so the whole idea of playing in a band seemed like a foreign, far-off, big-city kind of thing. It didn't help that no one I knew was into the kind of music I liked. It seems bizarre to say this but when I first started getting into music was a year, maybe two, after the internet became available in my city (it was a pretty isolated place) - before then, your options for discovering stuff like Swervedriver or My Bloody Valentine were pretty limited. Fortunately, there were a few wonderful Canadian bands I read about, like Sianspheric and Southpacific (both terribly obscure Canadian space-rock bands) who would rave about all the stuff happening in the UK. I'd buy records based purely on reading about them in an interview. Once I moved to Saskatoon for university, things were much less bleak. There was a great local music scene that I fell in with and eventually stumbled into playing in a few bands. 

2. What is the most inspiring gig/concert/festival you've been to?
End of the Road in 2011 was pretty incredible. We were invited having never toured outside of Canada, so it was pretty huge for us to go to the UK, let alone play a festival that seems to book all my favourite bands. It was really great. We did a short UK tour, then spent three days at EOTR and had an amazing time, saw some incredible bands, hung out with lots of Canadian and UK friends and played three wonderfully inspiring shows. That festival really is a special one. I hope we are able to make it back at some point. 

3. Who have you been listening to lately?
I've been loving the new Torres record. Same with the new Swervedriver. For lots of this year I've had the Viet Cong album on high rotation. I also just started listening to The Horrors. In a bunch of reviews of our new songs, people have been referencing The Horrors and I've never actually listened to them before. It's good stuff. I suspect we like a lot of the same bands!

3 Questions for Slow Down Molasses:

1. How did your name 'Slow Down Molasses' come about?
I'd just scribbled those words close together in a notebook while on tour with an old band, and when I first started writing songs for what became this band, it seemed appropriate as a name. At the time, I was going through a huge Mojave 3 phase and was trying to write slow, hazy acoustic songs, Inevitably things got louder and louder, turning into what it is now. 

2. Having drawn inspiration from the series of photos that Tyson's father took - during the Parisian anti-capitalist protests of May '68 - why and how were they inspiring to you during the creative process of your album?
I vaguely remember the photos from when I was young and when I started working on this album, I was writing lyrics that touched on more political themes than I'd previously written about, and so I kept thinking about those photos and my Dad's stories from that time, and it seemed relevant to a lot of what is happening now. Like then, there is a clear divide in society, with competing ideologies and more and more people actively speaking up and protesting against some of the actions our governments take. It's been really interesting looking at what is happening now and looking back at Paris in 1968 and thinking about how our cities slowly evolve, and how it seems like on a regular basis there almost need to be popular citizens' movements to arise and push back against the direction a government is going, to keep things in check. A lot of these songs are attempts at describing or understanding how, despite the conflicts that may be happening in a society, it still keeps functioning in some way. Things may be damaged and may change, but people still get up in the morning and do what they do.
I actually had the great fortune to be able to spend some time in Paris last fall with my Dad and it really struck me how bizarre it was to walk down some of the streets those photos were taken on. If you didn't know the history, you wouldn't know that at one point riot police were firing tear gas at students and artists were lighting cop cars on fire. They were just normal, functioning streets in a huge city. It just struck me how moments like May '68 are hugely important, but at the same time ephemeral - decades later, they can end up a lesser-known footnote about how a city or country came to be what it is today.

3. Was your forthcoming album 'Burnt Black Cars' a collective effort or did you have specific roles during the writing process? 
It was a lot more of a collective effort than any previous album. Previously I wrote most of the songs and tended to guide things in the studio. This time we had the good fortune to receive a grant from the Arts Board of Saskatchewan that afforded us more time to write as a group, and it meant the others in the band were much more involved in the writing and arranging. I still took the lead and set the tone for the record, but Jeanette (our keyboard player) wrote one song and Chris (our bass player) wrote another and we worked on them as a band a lot more than we ever previously did. We toured the last album a fair bit and through those tours, our lineup solidified, making it much easier to create this album in a more collaborative way.

Random Q:

What do you enjoy doing in your spare time?
That's always a funny question to me. For the most part, everyone in the band is pretty obsessively involved in music, so collectively I think I can safely say we tend to use nearly all of our spare time on musical endeavours. Chris and Jeanette both write about music and also have their own bands that sometimes feature other members of Slow Down. Aaron (our drummer) plays in what seems like 13 other bands. Levi (our guitarist) has his own project called the Pxrtals and does a lot of work with Factor, a Saskatoon-based hip-hop producer. So I don't know if any of us have much spare time these days!

'Burnt Black Cars' Album Review:
The album opens with an ethereal and atmospheric instrumental track 'Sovereign'. 'Burnt Black Cars' follows with a haunting introduction that builds with each instrument layering up to sound brilliant, with limited vocals and the second half being instrumental it forces you to focus on the intricacy of the arrangement. 'Summer Sun' is a great track, but I did find it a little repetitive. The rockier track 'Stay Still' comes next and is then followed by haunting dream pop style two minutes of music in the form of 'Resurrection Blues', one of my favourite songs on the LP. 'City Sublet' opens with delicate percussion growing with layered brilliance, a gritty mid section but still chilled enough to sit outside listening to whilst having a BBQ in the summer with a few friends. After comes 'Don't Forget The Youth' is catchy and I feel it would fit well in a coming of age film soundtrack, like Submarine or something. 'Home' is one of my favourites on the album, it reminds me of Bombay Bicycle Club but rockier, and the narrative told in the music video adds to the visuals and work so well together with the song itself. The album closes with five minutes of instrumental bliss 'Underneath the Cobblestones', it's dreamy and allows visual imagery to be created.
Overall, the album is brilliant, I'd say it's Sigur Ros meets The Killers or Death Cab For Cutie and is strong gritty rock mixed with dreamy pop to create an atmospheric sound that I can't get enough of.


Slow Down Molasses Live:
24th June: Sled Island, Calgary, Ab (w/ Swervedriver + Birdstriking)
25th June: The Starlite Room, Edmonton, Ab (w/ Swervedriver)
26th June: Bessborough Gardens, Saskatoon, Sk (w/ The New Pornographs + Viet Cong)
26th June: Amigos, Saskatoon, Sk (w/ Viet Cong)

Slow Down Molasses' Links:

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Wednesday, 3 June 2015

Feature: Jess & The Bandits (03/06/15)


Having met when Jess was a soloist supporting The Overtones on tour, the group came together after the four boys formed her backing band for the Boyzone BZ 20 Tour. Blowing away audiences at the C2C Festival and selling out their two headlining dates in build up to the appearance. Jess, Dave, Ricci, Steve and Louis are now on countdown to summer and the festival season. With a successful first album, they've just announced a UK Tour, it is exciting times in the Jess and the Bandits camp.

General Questions:

1. How old were you when you started getting involved in music and how?
I started singing pretty much before I could talk. From the time I was old enough to audition for musicals and church events (about eight years old), I was doing that. 

2. What is the most inspiring gig/concert/festival you've been to?
Every single concert I go to inspires me. I sit/stand there like a student studying everything about the performance. Seeing such amazing artists inspires me to be better. I actually used to find it to be somewhat emotional because that is what I dreamed of doing. 

3. Who have you been listening to lately?
Lately, I've been to listening to a band called Old Dominion and an artist named Sam Hunt. Both up and coming in the country music world!

3 Questions for Jess & The Bandits:

1. You've played in many places, but where would you most like to perform and why?
I think we'd love to perform as a band at Glastonbury. A few of the Bandits have had a taste of that in the past playing with other artists but it would incredible to do it as Jess and the Bandits. 
Also performing at the Country Music Awards or the American Country Music Awards would be a dream come true! 

2. In recent years, country music has been becoming more prominent in 'mainstream' music, why do you think this is and how do you think it could be grown even more?
We think the fact that country music as a genre is becoming more mainstream around the world helps with that. We always joke that we are easing new fans into country music before we go really country on them! As country artists from the U.S. behind to spend more time touring overseas it will bring more awareness to the genre and help it grow, simply because of their high profiles. It will also be great when radio stations like Chris Country (UK) go national and easier for new fans to listen to country music. 

3. What song from 'Here We Go Again' did you most enjoy creating and why?
That's a very difficult question because every song has a life of its own and a story behind it. If we could only choose one it would have to be 'Ready Set'. It's one of those songs that was just fun to write, it came together in about 30 minutes and those are usually the most fun. 

Random Q:

Do you have any superstitions or small things you do before a live set?
Jess always finds a little corner and prays. The Bandits get excited and pumped up to get their energy up. We all get together before going on stage and give hugs and wish each other luck. I'm sure as time goes on we'l develop little superstitions. 

'Here We Go Again' Album Review:
The album opens with a rockier country track, 'Ready Set', it's really catchy and perfect for a road trip in the summer with a brilliant beat and great guitars. 'Love Like That' and 'You Can't Stop Me' follow on well but are steadier tracks, 'Love Like That' has honest and emotive lyrics and 'You Can't Stop Me' allows you to focus on Jess' wonderful vocals. Next is 'Wasted Man', a country song with many pop infused aspects, again it's catchy and will get stuck in your head; definitely not a bad thing! 'Nitty Gritty' is an upbeat song with lyrics that add to the well covered social commentary on popular topic within the music industry of self-belief, confidence and appearance and I feel it's done in a better way than many other 'pop songs' that make it into the charts. There is a bit of a lull in the album with 'If You Can't Be Mine' and 'What If', two slower and honest tracks that grow into steady songs. 'My Name Is Trouble' wakes you back up with an upbeat tone, the claps, guitars and bass continue to layer up into a song that I can imagine being great live. 'Drunk On Me' is a subtly powerful song with the guitars and vocals working brilliantly together and 'Getting Into Something' is another upbeat 'pop' track within the album. The title track from the album 'Here We Go Again' really sums up their sound perfectly, starts slower and emotive and then builds into a strong chorus. 'Single Tonight' is the penultimate song and the thing that came straight to mind when I listened to it, was road tripping across America, the song coming on the radio and everyone singing along. The album finishes with 'Wichita Lineman', my favourite song from the album, the focus on piano accompanying the vocals is simply beautiful. It's a powerful end to the album and closes it well. 
Overall the album is great, if you're a fan of country and love inspired songs, this is your go-to and if you like good upbeat, catchy songs or slower emotive tracks, there's a few in the mix for you too. 



Jess and the Bandits' Live Dates:
11th July: Cornbury Festival
13th July: Robin Park, Wigan
18th July: SummerTyne Festival (co-headline show w/ Callaghan)
25th July: Ramblin Man Festival
16th October: FSA Fest, Preston
27th October: Louisana, Bristol
28th October: Borderline, London
29th October: Brudenell Social Club, Leeds
30th October: Gulivers, Manchester
31st November: Plus Size Fashion Awards, London

Jess and the Bandits' Links:

Check It Out!

Chart: Runaway (U & I) - Galantis
'Runaway (U & I)' is the lead single from Swedish electronic duo Galantis' debut studio album 'Pharamacy'. It was released on 5th October 2014 but has only recently achieved chart success in many countries; Australia, Belgium, Netherlands, New Zealand and has peaked at #4 in the UK Singles Chart. It's a catchy house track, perfect for the summery weather. 


Live Performance: Say You Do - Dierks Bentley
Here is a live performance from a few months ago by American country singer/songwriter Dierks Bentley. 'Say You Do' was released in October 2014 as the fourth single from his seventh studio album 'Riser'. This year 'Riser' was nominated for Best Country Album at the 57th Grammy Awards and reached #6 in the US Billboard 200. 


Cover: Take Me To Church (Mashup) - Lucy Spraggan
Here is a rather wonderful mash-up from previously featured (and massively talented) Lucy Spraggan. She mashes Hozier's chart hit 'Take Me To Church' with others including Katy Perry's 'Firework', Beyonce's 'XO' and Ed Sheeran's 'Sing' amongst others, how does that work? I wasn't sure either but it really does and it shows once again that Lucy can twist any song into any genre and make it her own. Enjoy! 


YouTube: On A Clear Day - Anthony Strong
Now to some jazz to chill out to, this is pianist and jazz singer, Anthony Strong's arrangement of 'On A Clear Day'. This is the title track from his forthcoming album (due to be released on 20th July), it's inspired by The Peddler's version and Anthony has 'big bandified' it. He sold out Ronnie Scott's on 24th May but he returns to London after a couple of shows in the US. You can find more info and a full list of dates here.


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Monday, 1 June 2015

Feature: Mi'das (01/06/15)


Brighton born but London based singer/songwriter Mi'das a.k.a Mike Davies creates 'soulful pop music'. After leaving school and studying guitar at a music college for two years he began busking, singing and playing at events up and down the country, totalling over 250 gigs and travelling 60,000 miles a year. He's also landed work as a session musician with artists such as Jessie J, Rita Ora, Labrinth, Jamie Cullum and many others. This also led to performances at the O2 Arena, Royal Albert Hall, Hyde Park and Kensington Palace. A songwriter for over 10 years, Mi'das is stepping out from the shadows and has gone on to create a 3 EP project, the 'Story So Far' series, he's just released the final EP 'Stronger'. 2015 is set with gigs all over the country for new audiences and 2016 is looking big with an album release. Mi'das is definitely one to watch. 

General Questions:

1. How old were you when you started getting involved in music and how?
I started when I was 12. My brother was already playing piano and my uncle guitar so I picked up bits from them. I also began to sing at school assemblies when I was quite young and that gave me the performing bug. 

2. What is the most inspiring gig/concert/festival you've been to?
So many! One that stands out right now was when I saw Liane Carroll at a small bar in Hastings at the age of about 18/19. Another one was when I was performing for an artist at Wembley Stadium and got t o see Coldplay right up close. Foy Vance at the Komedia in Brighton was another memorable gig. 

3. Who have you been listening to lately?
Nate Williams, Kwabs, Shakka and Marc Broussard. 

3 Questions for Mi'das:

1. If you could play a show anywhere in the world, where would it be and why?
Royal Albert Hall, I've played there with other artists but to play my own music in a place with such incredible history and so close to my heart for the shows I've seen there, would be amazing. 

2. What has been your career highlight so far and why does it stand out to you?
Playing a set at the London Shepherds Bush Empire this year, it's long been a dream of mine and my next goal will be to play my own show there!

3. Did your 'Story So Far' series start out as a trilogy or did it naturally progress that way?
I had the concept and vision for the full series right from the get go but didn't finish the final EP until after the 'Grow EP' (second to last) was already out. 

Random Q:

If you could invite three people round for dinner, who would you ask and why?
Stephen Fry, for his wit and knowledge, I'd pick his brains. 
Stevie Wonder, just because. I'd probably uncontrollably hug him the whole time (awkward). 
Richard Branson, for his vision and way with people, I think he'd be a great guy to have a pint with. 

'Stronger EP' Review:
The EP opens with 'Wish Road', it starts as an atmospheric track with an almost haunting tone to it and grows into a beautiful song, which is incredibly well written, both lyrically and musically, the layers overlap to create a wonderful sound overall. 'Too Little Too Late' is a soulful pop track, piano accompanies Mi'das' vocals really well and the simplicity of the layers in the intro highlights the lyrics and subtly powerful vocals. The track builds with added guitars and drums into a catchy song with stunning harmonies. Next is 'Vienna' a rockier track, it isn't my favourite from the EP and I prefer the last quarter of the song to the rest - that may be because of the time I listened to the song - but I can imagine it being brilliant live with an audience joining in and singing along. 'Like You Did Then' is a bonus demo that follows on from the previous track, it calms the EP down a bit and is placed well. It's a stunning stripped back song with just guitar, piano and Mi'das' beautiful voice, again this song allows you to focus on the songwriting and the well written lyrics and music. The penultimate track is an Otis Porter Remix of 'Wish Road', it's brilliant and highlights all the great parts of the original as well as emphasising the atmospheric feel and creating an almost tribal/choir underlying sound. The EP closes with a radio edit of 'Vienna' it's cut shorter and seems a little less rock, it doesn't seem as messy for my ears; but again that may have been due to listening in the midst of exams. I prefer this and I feel it closes the EP brilliantly, overall the EP shows the range of Mi'das' musical ability, he's a talented singer/songwriter and musician and this EP shows that well. Enjoy and I'd definitely suggest getting this one. 


Mi'das' Links:

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