Friday, 18 November 2016

Feature: Cairobi (18/11/16)


Cairobi are a headily eclectic globe-crossing four piece of Giorgio Poti (vocals, guitars), Alessandro Marrosu (bass), Salvador Garza (keys) and Aurelien Bernard (drums). Their music reflects their various backgrounds from Italy and Mexico via France, and has received support from the likes of 6Music and Huw Stephens at Radio 1. They released their debut self-titled album on 16th September, which will be available in January 2017 here. 2016 has been a big year for Cairobi having performed at Secret Garden Party 2017, and headlining London's Birthdays on 25th July. Following up their 2014 EP 'Distant Fire', this album was written in Berlin, and was recorded between Berlin, London, Rome and New York...

General Questions:

1. How old were you when you started getting involved in music and how?
In Italy between age 10 and 13 music education in school consists in learning the recorder, an instrument I always found so horrendous in sound, that I actually learned to appreciate it later in life from a noise/satanic point of view (especially when 20 children play it simultaneously). So music classes where not something I enjoyed back then, and I found reading music particularly boring. I had a technique though, I would wait for the other kids to play the notes they were reading and imitate their sounds, so I would’t have to worry about learning the pentagram. But my teacher said that was wrong, that playing by ear was bad, that I had to read the notes, and if I could’t do that it probably meant music was not for me. So we agreed that I was hopeless, and I would be excused to not play at all. Life went on easily and recorderlessly for two years, but when a new teacher arrived she said I would have to learn the recorder like all the other kids. I panicked. I said I could play the guitar and asked if I could do that instead. It was’t true, but my brother could, so I figured he could teach me a couple of chords. He did, and that became my favourite thing to do in the world. It still is.

2. What is the most inspiring musical performance you've ever seen?
I’m a big fan of Micachu And The Shapes (now Good Sad Happy Bad). I saw them play in Berlin last year and they were unbelievable. They have produced some of the most effective and moving melodies I have ever heard. 

3. Who have you been listening to lately?
I really enjoyed the new “The Comet Is Coming” record “Channel The Spirits”. Also I have had a big crash on Telepath for the last couple of months, especially one record called “アンタラ通信”, then I have had some Flaming Lips in my ears recently, some Vasco Rossi, and a record called “Ruth is Stranger then Richard” by Robert Wyatt.


3 Qs for Cairobi:

1. You've been performing live across the UK over the summer, but where would be your dream venue to perform and why? 
I don’t really have a dream venue. Just as long as the sound is good, the people are nice and the vibe is right any place can be my dream venue.


2. Which track from your self-titled debut album are you most excited / apprehensive about people hearing?

I tend to get more attached to slower/quiter songs, there is one called “No Better Ending” that I really like.

3. What process did you go through creating 'Lupo', was it a collective effort or did you have specific roles within the band?
Lupo was an old song of ours. It had a different arrangement, which we really didn’t like, so we had chucked the whole thing. One day at rehearsal we started playing it, almost as a joke, but after an initial laugh we all agreed that we liked the song, and that it might have worked with a different arrangement. So we started trying things out on the spot, until some kind of primitive version of what we have today came up and we developed that.

Random Q:

Late nights / early mornings?
Late mornings / early nights

'Lupo' Review:
Released with a complementary trippy and psychedelic music video, this song is just that. 'Lupo' is made up of a steady beat, shimmering guitars, funky bass lines and dreamy vocals coating the track perfectly. Their self titled debut album follows with the trademark sound they've created, intertwining vocals with their other instruments flawlessly, 'Gristly Words' is a perfect example of this. It's math pop meets psych rock, it's fresh and exciting - these guys are a band to watch! 


Cairobi's Links:

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Wednesday, 16 November 2016

Spotlight: Highly Suspect (16/11/16)


Two times Grammy nominated act, Highly Suspect, are about to release their sophomore album, 'The Boy Who Died Wolf' (18th November). Founded by twin brothers, Rich and Ryan Meyer, and their best friend Johnny Stevens, the Brooklyn based trio are making huge waves in the music world. Their previous release 'Mister Asylum' was released in July 2015 to critical praise from FADER, Consequence Of Sound, Rolling Stone and many more. Since then, they've been on the road tirelessly as a headliner and opening for acts like Catfish and the Bottlemen and The Struts, as well as taking on festivals around the world. 

'The Boy Who Died Wolf' Album Review:
It's easy to understand on first listen why there is such a big buzz around this album and the incredibly talented three-piece behind it. 'Wolf' is my favourite track from the release, with cuts and builds throughout, smashing but steady drums, a gritty bass line, shining guitars and synths and stand out vocals. 'My Name Is Human' is another great track, with a bigger sound, faster pace and filled with even more angst. This contrasts the generally stripped back and slower sound of 'Little One', but this just shows how much of a range there is on this album and how much ground Highly Suspect can cover. One thing this album highlights is their capability to write honest lyrics with infectious melodies and powerful choruses. This is a brilliant release from the first note to the last and anyone will be able to find their own favourite track, that stands out to them. 


Highly Suspect's Links:

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Monday, 14 November 2016

Feature: Lossy (14/11/16)



Australian audiences got their first taste of Lossy’s sound with ‘Blue Lagoons’, her first single released in June 2015. Living the life of a true troubadour, Lossy is currently travelling and performing throughout the US, after recording her latest single ‘You Who’s Guiding Me’ in Copenhagen, Denmark. Look out for upcoming tour dates and a full EP release soon…

General Questions:

1. How old were you when you started getting involved in music and how?
Singing  harmonies with the fam bam when I was a kid? Mum on the uke, dad on the guitar..me and siblings having fights.

2. What is the most inspiring musical performance you’ve ever seen?
I nearly saw Matt Corby once? the one and only legit concert I have ever purchased tickets for...but the tickets were locked in a post office..I still tried to get in but got turned away at the door. So I’m gonna say.. Seeing a school full of Fijian teenagers singing songs in their assembly...incredible.

3. Who have you been listening to lately?
Asgier,  The XX, Sia, alt-j- , Szymon

3 Qs for Lossy:

1. You’re currently travelling and performing throughout the US, which three countries would you most like to tour and why?
1: The mainland Australia..just thinking..van life..coastal vibes.. touring with friends & living the dream.

2: Brazil.  It has waves.. it has the Amazon & probably some of the most extroverted fun loving, music loving  people I have met.. and my friends highly recommend Brazil as a tour option..so why not?

3: Europe.. I know it’s not a country.. but the summer time.. the festivals. I am genuinely in love with all of Europe, its people, food, languages, nature and all it has to offer musically.

2. If you could duet with anyone, dead or alive, who would you choose and why?
Hmmmm I am the most indecisive person I have ever met..and I can’t actually answer this question.

3. What process did you go through creating ‘You Who’s Guiding Me’ and how much did it differ to your previous single ‘Blue Lagoons’?
I was in between classes at university and as per usual I had the everyday thoughts of “what the hell am I doing here?”  I needed an outlet, so I found a piano and that was it! You who’s guiding me is piano driven with pop melodies, synth bass, lots of bouncing layers. It was so much fun recording, my engineer and producer worked so well together we basically finished it in a day..whereas Blue lagoons is a very intimate song, with layers of cello, acoustic guitar, more of a indie folk vibe.

Random Q:

1. If you could have any superpower, what would you choose and why?
To have the power of healing. We live in a pretty broken and messed up planet and there are SO many people who need it...you would make a lot of people happy!

'You Who's Guiding Me' Review:
Lossy has created a skippy folk/pop song, with infectious melodies, an upbeat piano and beat combined, and well crafted lyrics that tell a story, reminding me of the likes of Lenka. It's an incredibly uplifting track that will put anyone who listens to it in a better mood, it's got all the best bits of folk and pop swirled together into a light, sunny song...


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Friday, 11 November 2016

Feature: Stonefox (11/11/16)



Melbourne natives, Stonefox, release their new single ‘Hands Of Gold’ and are set to head out on a six-date launch tour across four states. Their debut EP ‘Surface’ exceeds 3.5 million plays on Spotify, they recently supported triple j favourites Mosquito Coast nationally, and they already have the ears of international tastemakers Majestic Casual and Mr Suicide Sheep. The trio comprised of Jenna Russo, Monica Spasaro and Tim Carroll, prove themselves capable of not only meeting the high bar set for them, but surpassing it constantly too.


General Questions:

1. How old were you when you started getting involved in music and how?
All our lives really! Jenna and Tim both grew up with really musical families and picked up guitar/piano/singing at an early age. We both moved onto songwriting, performing in various bands and got involved us much as possible with the creative side of things. Tim was sneaking into music clubs around Melbourne at 15 to play with his first band and Jenna was filling up the back of her school text books with lyric ideas. Mon is a classically trained drummer who also started young and continued studying all the way through to University where she got her Bachelor of Music.

2. What is the most inspiring musical performance you’ve ever seen?
Would have to say seeing Mat McHugh (the front of The Beautiful Girls) play at Queenscliff Music Festival. On the day of his set all of his gear actually ended up on the wrong flight and didn’t turn up in Queenscliff. But that didn’t stop him from putting on a show! All he had was an acoustic guitar that he borrowed from another act and his voice and he still managed to have everyone watching in ore and singing along in the rain! It takes a special kind of talent to entertain a soggy crowd with the absolute basics like that and it was pretty inspiring. Was also cool to see all his songs without all the frills, the way they were originally written.

3. Who have you been listening to lately?
We’ve been getting into the latest tunes from a bunch local performers like Lanks, The Winter Gypsy, Soft Corporate and Hollow Coves! One of the great things about touring so much is getting to check out all the cool acts popping up around Australia. It kind of forces you to get out and see all the bands doing good things in the live scene which is really refreshing after being in the studio for so long.

3 Qs for Stonefox:

1. How did ‘Stonefox’ come about?
Jenna and I were introduced at a concert out in the city about three years ago. After the show I didn’t have a lift home and Jenna offered to drive me back to the hills. By the time we made it home, turned out we’d been living literally just around the corner from each other for most of our lives but hadn’t realised until right then! We started sending songs to each other, shared our own ideas from there and eventually became Stonefox.

2. You’ve recently supported Mosquito Coast nationally, and are heading out across four states during November, but who would be your dream act to tour with and round which country?
Oh Wonder / The XX / London Grammar – Europe

3. What process did you go through creating ‘Hands Of Gold’, and how much did it differ from your previously released tracks?
‘Hands of Gold’ took a lot of perfecting and was actually taken into the studio twice before we were completely happy with it. As well as being massive perfectionists we wanted it to feel more anthemic than our other songs so it took a few goes to get the right feel. The original idea came from a really basic demo (recorded in the back of a caravan) and after work shopping it as a band with the help of two different producers it finally had the right balance of elements that matched our vision for the tune.

Random Q:

1. If you were stranded on an island and could only have three items, what would you choose and why?

A guitar to get rid of the silence, a lighter/matches for a bonfire and a small fox for company!

'Hands Of Gold' Review:
'Hands Of Gold' is currently one of my favourite songs. It's an atmospheric track with perfectly intertwining vocals, beats and synths. Stonefox have created a track that defines ambient pop; an anthem of heartbreak, yet a 'feel good, get lost in the moment' song in the same breath. They have a bright future ahead of them and I'm already looking forward to their next release...  


See Stonefox Live:
11th Nov: Oaf Gallery, Sydney
18th Nov: Mynt Lounge, Werribee
19th Nov: The Workers Club, Melbourne
24th Nov: The Zoo, Brisbane

Stonefox's Links:

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